bimo: (DRD_beware)

Just a bunch of loosely connected and highly subjective observations.

Cavendish did not want our OuaT viewing experience to end with that feeling of irritated frustration left by season 6, so he talked me into going back to the show’s very beginnings when all still felt fresh, new and considerably less convoluted. So far we have progressed up to ep 1.08 “Desperate Souls” and watching those early episodes is quite an eye opener.

  • Much slower narrative pace.
  • Almost every episode contains a whole lot of camera shots portraying Storybrooke not as a sterile set, but as a real town populated by all sorts of people. Far more background action going on in any of the street scenes.
  • Much more time spent on establishing or exploring narrative or visual clues, small stuff that might turn out important a little bit further down the road. S1 basically teaches you to pay attention to even the tiniest aspects and actually rewards that attention by providing you, step by step, with an ever more complete picture of what’s going on. In S6, on the other hand, paying attention is something viewers actively get punished for, because none of the individual pieces seem to fit together or make sense anymore.
  • All in all, much fresher and happier seeming actors. While Parilla’s portrayal of Regina strikes me as relatively consistent throughout the show, there are worlds between the S1 and S6 performances of Robert Carlyle and Jennifer Morrison.
  • More complex and nuanced characterisations, characters seem far more well rounded, in particular Snow.
  • Cavendish actually squeed with joy when he saw how keen Rumple still was on contracts.
  • Oh, Graham, I miss you.
bimo: (Default)

Measure of a Man by Bimo (571 words)

Fandom: Once upon a Time
Rating: G bordering on PG-13
Summary: Sometimes the measure of a man is how he copes with being reborn
Characters: Emma Swan, Killian Jones

Notes:
Written as a gift for Em, for the 2016 Once Upon a Secret Santa exchange on Tumblr. I've never tried writing a bona fide Captain Swan story before. So I can only hope that everything comes across just right and that you will enjoy! :)
Thanks:
Lots of thanks go to Whimsicallyenchantedrose, for kindly volunteering as a beta!
bimo: (Coop)

Some of you already know that I spent the last couple of weeks recovering from knee surgery (ruptured meniscus, long story, don’t ask ;)). So far, the knee has been healing nicely, just as it ought to, and I’m glad to report that with each day I am feeling more and more like my usual self again.

Probably the weirdest after-effect: I never would have thought that I would be so fucking happy about being able to empty the dishwasher on my own again.

Also, my fannish mojo is coming back. Even though I’m not quite sure what to contribute at the moment, I’m quite happy to read along and enjoy what others are posting! :)

A good deal of my own fannish thoughts are still circling around OuaT 's Jekyll and Hyde plot, by the way. Representations of duality, repression, denial and most of all how Sam Witwer’s Hyde in “Strange Case” struck me as so much more straightforward and in tune with himself and his surroundings than his counterpart Jekyll could ever be.

There is this one brief moment when the newly-created Hyde is seeing himself in the mirror for the very first time shortly before entering the ballroom, that is full of self-realisation, recognition and amazement. I just love the way in which, throughout the following scenes, the particular combination of setting and writing plus various acting and directing choices, is transforming Hyde from villain into romantic anti-hero, without sacrificing one bit of the character’s inherent ruthlessness.

Well done, show! But now, if you could only please devote as much care and attention to your major story arcs as you are paying attention to the details… ;)

As for the afore mentioned Harry Potter rec:

More or less on a whim, Cavendish and I rewatched the first three Harry Potter movies (all of them have aged suprisingly well, though the Alfonso Cuarón one still rules), which led to me searching the AO3 for a bit of HP fanfic. And look what I have found thanks to the archive’s advanced filtering options and a little bit of beginner’s luck:

The Nicest Word There Is…  by Droupy48
Summary: A story about the kids who felt safe in the library.
Word count: 2161
Rating: G
Characters: Minerva McGonagall, Remus Lupin, Hermione Granger

A beautifully written, quiet character piece providing great insights into each character. However, on a more abstract and serious level, this story is as much a story about young McGonagall, Lupin and Hermione Granger as it is a story about the different faces of discrimination and the power of reading.


bimo: (Default)
I guess, I was never really satisfied with how the Underworld arc depicted hope as just a handful of blossoming flowers. So I sat down and wrote...

Not Fade Away by Bimo (500 words)

Fandom: Once upon a Time
Rating: G
Summary: Change has come to the Underworld and Milah can feel it.
Characters: Milah, Liam Jones
Thanks to: The wonderful folks who encouraged me when I wrote the first draft version of this little piece, and Epona610 for volunteering to proofread :-)
bimo: (Terra_incognita)

Just an idea from that split second before analytical thinking kicks in and kindly informs me that I’m chasing impossible butterflies, because OuaT and Neil Gaiman’s Sandman universe are really not all that compatible.

I’ve been nursing the thought before. There is this half-overheard conversation I have in my head. Two of Gaiman’s Endless (a family of timeless entities embodying universal concepts), the sisters Despair and Desire looking down on Killian Jones during his Neverland years, and discussing to whom of them he ultimately belongs. So far, so much for private fantasies and head!canons.

But now that OuaT has added an officially introduced “Realm of Untold Stories” to its evergrowing list of fictional worlds I’m beginning to wonder. What if they all, the various realms and everybody within them, every forest, castle, mountain, mouse and man were actually part of the Dreaming?

Sounds weird, yes? However it would account for quite a lot of the things going on.
bimo: (Alex_Gene_mug)

Negative stuff first, just to get it out of the way:

No matter how much I used to enjoy Castle, after all the news and rumours surrounding the departure of Stana Katic, I am actually relieved that ABC has finally decided to cancel the show. 

There is this conversation I had with [personal profile] selenak  a while ago, about series being continued well past their natural expiration date, that ideal, non-realized stopping point at which plotlines could have come to a satisfying conclusion and the characters full-circle. With Castle, that point would have been reached at the end of season 7 by latest, I guess, with Beckett’s impending promotion and a lot of personal growth for both her and Castle himself. It was back then, when both Cavendish and I decided to quit and let these two characters ride off into an imagined sunset, so we would be able to remember them fondly.

And this is exactly what I will do now. 

Salute a show that I followed for over one hundred fifty episodes. Here’s to cast and crew, to the fun-to-watch character dynamics. To a plethora of criminal cases ranging from serious, over bizarre, to simply hilarious.

One of the things I liked best was how shamelessly self-indulgent Castle played with the boundaries of its genre. As audience you never knew what you would get. Thriller, film noir, romantic comedy, western, mystery, sometimes even sci-fi. Also bona fide B-Team action adventures with Detectives Ryan and Esposito. Almost as if the show wanted to acknowledge its own fannishness by being playful.

One of my fanfic stories, a little Once upon a Time/Castle crossover would never have worked, if Beckett, in addition to being simply gorgeous, competent and smart, hadn’t also been such a huge, canon-confirmed fangirl. I had so much fun writing her from Hook’s point of view.

Thank you, Castle, for being such an occasionally weird and goofy fun ride. You were one hell of a show.

Kate Beckett, back in the Enchanted Forest, you would have been royal.
bimo: (Default)
Some older, more settled fandoms like Farscape or Doctor Who have always made it rather easy for me to find just the sort of fan video that I enjoy. Perhaps because of their well-established infrastructure, or perhaps because the respective age music taste of the vidders in question was a bit closer to my own, I figure.

However, over the last couple of days, I finally managed to track down and bookmark a few Once upon a Time vids that were striking a chord with me. I'm going to spare you the Captain Swan one, though, because I doubt anyone around in these spheres would be interested in this particular folly of mine.

Instead, have two more general vids, with a strong focus on the ensemble cast and earlier seasons.



Once I Was Real by Hurleybird, pure, beautifully edited S1 nostalgia, dealing with themes of identity and loss.




Seven Devils, by Jackie1609f. Of demons and fears. Powerful imagery matched by just the right song. This one is a  killer.



bimo: (Mug_collectors)
I’ve been wanting to post these pictures for over a week now, because they constitute such a wonderful case of real life weather conditions mimicking fiction. In the current season of Once Upon a Time the sky of the underworld to which Emma and her family have traveled looks just like this.




The view from my study at sunset, during a thunderstorm. Thunder from afar, the sky heavy and oppressive, the air glistening with rain. Only a tiny stretch of blue at the horizon. On a clearer day you would see a large iron bridge leading across the Rhine and also some industrial buildings on the other side of the river.




Completely out of focus, but this picture gives a much better impression of how it looked like when I went outside.

Oh, and speaking of my study, in case you are curious…



The desk where I type all my posts. Both the keyboard and the desk are antique. I purchased the keyboard in 1998, the desk is roughly one hundred fifty years older.

bimo: (Terra_incognita)
I guess, I had this one coming ever since 5.11 "Swan Song"...

Atlas by Bimo (430 words)

Fandom: Once upon a Time
Rating: G, but dealing with themes of loss and abandonment
Summary: A closer look at the Jones brothers, set shortly after the children were sold into servitude. The reality of their father's deed sinks in slowly.
Characters: Liam Jones, Killian Jones
Thanks to: Scapeartist,  for the fantastic beta!

bimo: (Terra_incognita)

Maybe it is my occasional tendency to romanticise the good Captain Hook, which I should hold responsible.

Until now I had always assumed that it was Hook who had drawn Milah’s portrait on that sheet of paper which Baelfire finds on board the Jolly Roger in 2.22, “And Straight On ‘til Morning”.

For me, the idea of Killian Jones as a person with a secret artistic streak has always gone hand in hand with the notion that said portrait was an expression of grief. Maybe Killian could have drawn it several years after Milah’s death, feeling the memory of her face slip away from him and fearing he would lose it forever, I thought. Perhaps drawing was a talent Killian had always possessed, but never really honed before Neverland, initially just to ease the passage of time, helping him to stay sane. (Bill Murray’s character in Groundhog Day is coming to my mind, the longer I think about this.)

So far, so bitter-sweet melodramatic melancholic.

Yesterday afternoon, while doing the laundry, I listened to the 2.22 audio commentary by Colin O’ Donoghue and producer David H. Goodman, in which David Goodman clearly states that the portrait wasn’t done by Hook, but by a still alive Milah, as a self-portrait.

Judging by the sound of his voice, even Colin O’Donoghue appears to have been a tad surprised and disappointed when he heard that.


 

bimo: (Fivey_drawing)
Nothing fully formed, just a bunch of thoughts and topoi aimlessly roaming around in my head. So, let’s attempt to give them some shape:

 

 

I'm afraid this turned out slightly different from what I intended )

 

bimo: (Tardis_christmas)
The adult education semester is finally coming to its close. With only three classes left to teach, I can virtually feel my brain sliding into holiday mode. There are cards to write, presents to wrap, letters to write and also a somewhat intimidating twelve pound goose to roast next Sunday. Thankfully, I'm enough of a self-assured and experienced cook to at least assume that all will go well with that bird as long as I stick to the recipe.

As for looking back on my fannish interests, well, apparently 2015 has turned out a year of wonder and second chances. Re-watching The X-Files, getting enthusiastic again about Doctor Who. Not that I didn't enjoy the previous two seasons after almost quitting the show during s6 (River issues, don't ask ;-)), but the current season really struck a cord with me due to its themes, its open embracing of the surreal, and last but certainly not least the brilliant performances by Peter Capaldi, Coleman, Williams and Gomez.

It seems that during the past twelve months I've talked quite a bit about fannish disenchantment with various people. What I had not expected, however, was that one of these conversations, the one I had with [personal profile] selenak, to be precise, would eventually lead to the biggest surprise of 2015, a phenomenon I'd like to describe as the big "Once upon a Time paradox". Getting warned about season 4 and thus refraining from viewing it probably was exactly what enabled me to enjoy the first half of season 5 as much as I did, once that [livejournal.com profile] astrogirl2 's lovely episode reviews had made me curious enough to give the show another try.

And good grief, am I glad that I watched, and not only because the two episode half season finale gave me the Hook backstory of my dreams. There also were quite a few sense-making character developments and a surprisingly original and fun-to-watch take on Arthurian legends. Knowing this show and having been exposed to season 5B promos, however, I must admit that I'm not really sure if 5B will live up to the quality of 5A.

bimo: (Fivey_bookish)
Just when I thought my fanfic muse, fickle creature that she is, was enjoying a prolonged holiday in Neverland, she came back with a vengeance. I really should have seen her coming, though, since the signs announcing her return were rather unmistakable.

Massive consumption of the respective source material, leading to show discussions. Show discussions leading to episode rewatches, episode rewatches leading to ideas. ([personal profile] selenak , I definitely still owe you an answer, and lots of thanks!) So I sat down and wrote, initially just to test the waters a little. But the more I wrote, the more the whole affair got a life of its own.

It's finished by now, roughly two thousand words long, a crossover with Castle, and essentially dealing with the question how on earth Hook, being all on his own, manages to locate Emma in New York prior to the events of "New York City Serenade". Readers wouldn't need to know anything about Castle to enjoy the story, though, since everything is written from Hook's perspective. The story is mostly a character study, with a touch of romantic fluff, balanced (at least I hope) with darker undercurrents.

My problems now, since I am not actively involved in any of the respective fandoms and therefore don't know anything about their infrastructure: Would something like this be worth getting betaed and published at all?  And, if so, where could I find a beta willing to do at least a quick language check?

ETA: Thanks to [livejournal.com profile] astrogirl2  the story has been successfully betaed and the finished version uploaded to the AO3. Yay!



bimo: (Mug_collectors)
* is waving at [personal profile] selenak *

Over the past two weeks I finally had the opportunity to watch OuaT season 3. Overall much more impressive, gripping and enjoyable than the second half of season 2 I would say; mostly because the emotional core conflicts touched upon by the season's two main antagonists Pan and Zelena strike me as being far more sense-making and poignant than anything the show has come up with post Cora.

 

So, lots of love, and quite a few observations. I wouldn't know where to start breaking down my ideas into digestible chunks, simply due to the sheer amount of characters, plotlines and backstories.

Please feel free to chat me up on anything you like. :-)

Profile

bimo: (Default)
bimo

Tags

Syndicate

RSS Atom

Style Credit

Expand Cut Tags

No cut tags

July 2017

S M T W T F S
      1
23456 78
9101112131415
16171819202122
23242526272829
3031