This sequel to Annihilation takes an unusual approach. Rather than returning to Area X, almost the entire book takes place outside of it, focusing on the scientific/government agency, the Southern Reach, which has been sending expeditions into it.

Most of the book is bureaucratic shenanigans with creeping horror undertones. The main character, unsubtly nicknamed Control, is slowly losing his mind trying to figure out what the hell happened to his predecessor and why she kept a live plant feeding off a dead mouse in her desk drawer, what is up with the bizarre incantatory literal writings on the wall, and what's up with the biologist, who has seemingly returned from Area X but says she's not the biologist and asks to be called Ghost Bird. There's parts that are interesting but also a lot of office satire which is not really what I was looking for in this series.

About 80% in, the book took a turn that got me suddenly very interested.

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I kind of want to know what happens next but I'm not sure Vandermeer is interested in giving readers what they want.

One day every adult on Earth gets a box that contains a string that measures out the length of their life.

This premise seems designed in a lab to create a book to be read for book clubs, where everyone gets to discuss whether or not they'd open their box and how they'd react to a long or short string. It worked, too. And it is absolutely about the premise. Unfortunately, the book is bad: flat, dull, sappy, American in the worst possible way, and emotionally manipulative.

It follows multiple characters, all American, most New Yorkers, and all middle or upper class. Some get long strings. Some get short strings. The ones with short strings agonize over their short strings. The ones with long strings who are in relationships with people with short strings agonize over that.

One of them is black, a fact mentioned exactly once in the entire book, and one has a Hispanic name. One set is an old right-wing politician and his wife. But all of them have identical-sounding narrative voices. Other than the Hispanic-named dude, who is mostly concerned about job discrimination, and the politician, who just wants to exploit the issue, everyone is worried about having a relationship and children with someone who will die young/worried that they'll get dumped and not be able to have children because they'll die young.

Ultimately, isn't everything really about baaaaaabies? Shouldn't everyone have baaaaaaabies no matter what?

The book is so bland and flat. The strings are a metaphor for discrimination, as short stringers are discriminated against. It explores some other social issues, all extremely American like health insurance discrimination and mass shootings, but only peeks outside America for brief and stereotypical moments: North Korea mandates not opening the boxes, China mandates opening them, and in Italy hardly anyone opens their box because they already know what really matters: family. BARF FOREVER.

It was obvious going in that the origin of the boxes would never be explained, but no one even seemed curious about that. Once all adults have received them, they appear on your doorstep the night you turn 22. Video of this is fuzzy. No one parks themselves on the doorstep to see if they teleport in or what. No one has a paradigm-upending crisis over this absolute proof of God/aliens/time travel/magic/etc that the boxes represent. No one comes up with inventive ways to take advantage of the situation a la Death Note. No one is concerned that this proves predestination. No one wonders why they appeared now and what the motive of whoever put them there is.

The point that life is precious regardless of length is hammered in with a thousand sledgehammers, to the point where it felt like a bad self-help book in the form of a novel. The romances are flat and sappy. In the truly vomitous climax, someone pedals around on a bicycle with the stereo playing "Que Sera Sera" and it quotes the entire song.

It's only April but this will be hard to top as the worst book I read all year.