bimo: (Default)

Last Saturday, Cavendish and I took advantage of the long weekend and went to see the “New Objectivity” (“Neue Sachlickeit” in German) exhibition at the Kunsthalle Mannheim, just a couple of days before the exhibition’s closing date on March, 9th.

In short, a great day out. Fantastic art and after that a nice stroll through the inner city of Mannheim, including a visit to Mannheim Baroque Palace, which is one of the largest palaces in Europe and nowadays serves as one of the main buildings to host the city’s university.

Pleasant and safe train ride back home.

I have no words for how I felt when, two days later, on Rose Monday, around lunch time the news broke that two people had just been killed in a deliberate attack by a 40-year-old German who had driven his car right into the crowds at Mannheim’s main city centre shopping area.

In light of this, it took me a while to decide whether I really wanted to post an entry that was originally intended to be nothing more than an artsy picture spam with a few extra words how poignant, inspired and incredibly well curated “The New Objectivity - A Centennial -2024/11/22 - 2025/03/09” is as an exhibition.


Thoughts and pictures behind the cut )



bimo: (Coop)

Though I am not exactly the biggest fan of Western as a genre (and trust me, I have seen my fair share of Westerns because of Cavendish), I found this 1989 four-part tv adaptation of Larry McMurtry’s novel of the same name surprisingly captivating.

I guess what I liked best is that in its strongest moments, the show doesn’t seem so much about getting a cattle drive halfway across the continent from point A to point B, but rather a character-driven exploration of human relationships and concepts of values in a changing frame of reference.  It’s the 1870s after all, an increasing part of the country is being settled and the old is West disappearing.

Of course, there are the usual caveats that apply whenever you are watching a piece of media that is not quite up to present day standards of representation. (Native Americans, women, you name it, it’s there) These issues aside, however, what you are left with is an exceptionally well-written, epic miniseries with high production values and an insanely impressive cast featuring Robert Duvall, Tommy Lee Jones, Danny Glover and Anjelica Huston. Especially Huston and Duvall lend their characters a level of emotional depth that is nothing but touching.

So the seven Emmys and two Golden Globes that Lonesome Dove won strike me as quite justified.

bimo: (Fivey_bookish)

I’ve been wondering whether I should get back into some sort of (semi) regular posting mode instead of just lurking and leaving the odd occasional comment in friends’ journals.  Mostly, I’d like to have some sort of record of the various things that I watched or read during these *cough* interesting times. Also, I’d love to let people know I am still out there and enjoying their posts. So, here we go, just for starters.

Recent movies:
Better Man,
Juror #2

Recent shows:
For All Mankind, SW: Skeleton Crew,  
The Good Place

Recent books:
One Hundred Years of Solitude by Gabriél Garcia Márquez (which I started ages ago, completely unrelated to the current Netflix adaption), and could only now bring myself to finish.

Current books (non fiction):
Post-Aufklärungsgesellschaft by German Professor of philosophy and didactics at TU Dresden, Markus Tiedemann, in which Tiedemann makes a quite convincing case for the age of enlightenment being one of humanity’s greatest achievements before setting out to argue how and why we are currently about to throw away all the humanist and secular-rationalist principles that we, as a society, have gained.

Current books (fiction):
Antichristie by Mithu Sanyal, in which a fifty-ish screenwriter of half German, half Indian descent working on an anti-imperialist, politically correct take on adapting an Agatha Christie crime novel gets transported to early 20th century London and involved with leading revolutionary Indian nationalists of that time.


bimo: (Fivey_sigh)

Currently reading:
China Miéville, Embassytown

Currently watching:
ST: The Next Generation (re-watch, by now progressed to season 6)
ST: Picard, season 2
ST: Discovery, season 4

bimo: (Cary_Christmas)

A happy and safe Christmas to every one! I figured in times like these we all might need a bit of "magic" :-)
bimo: (Linus_welcome)

I just wanted to share the playlist that Cavendish and I have created for this year’s Halloween! A Happy Halloween to everyone who celebrates! :-)

Bimo

The X-Files Theme (Main Title: Materia Primoris), The X-Files Theme, 03:21

Sunrise, Uriah Heep, The Magician’s Birthday, 04:20

Hide and Seek, The White Buffalo, Darkest Darks, Lightest Lights [Explicit], 03:03

Time Warp, Little Nell, The Rocky Horror Picture Show, Original Soundtrack, 03:19

I Put A Spell On You, Nina Simone, I Put A Spell On You, 02:35

Stairway to Heaven (Remaster), Led Zeppelin, Led Zeppelin IV (Deluxe Edition), 08:02

Black Wings, Tom Waits, Bone Machine, 04:35

Sympathy For The Devil, The Rolling Stones, Hot Rocks (1964-1971), 06:17

Highway to Hell, AC/DC, Highway to Hell, 03:28

Lady in Black, Uriah Heep, Celebration, 05:30

Where the Wild Roses Grow (2011 - Remaster), Nick Cave And The Bad Seeds, Murder Ballads (2011 Remastered Version) [Explicit], 03:57

Over at the Frankenstein Place, Richard O'Brien, The Rocky Horror Picture Show - Original Soundtrack, 02:45

The Nameless Murderess, The Once, Departures, 05:26

Black Wings, Tom Waits, Bone Machine, 04:35

Sympathy For The Devil, The Rolling Stones, Hot Rocks (1964-1971), 06:17

Highway to Hell, AC/DC, Highway to Hell, 03:28

Lady in Black, Uriah Heep, Celebration, 05:30

Where the Wild Roses Grow (2011 - Remaster), Nick Cave And The Bad Seeds, Murder Ballads (2011 Remastered Version) [Explicit], 03:57

Over at the Frankenstein Place, The Rocky Horror Picture Show - Original Soundtrack, 02:45

The Nameless Murderess, The Once, Departures, 05:26

Send Me to the 'Lectric Chair, Hugh Laurie, Didn't It Rain, 05:26

See That My Grave Is Kept Clean, B.B. King, One Kind Favor, 04:48

Ghost Riders In The Sky, Johnny Cash, Ze Best - Johnny Cash, 03:47

Paint It, Black, The Rolling Stones, Hot Rocks (1964-1971), 03:22

Ghostbusters (From ''Ghostbusters''), Ray Parker Jr., 80s 100 Hits, 03:58

Bat Out of Hell, Meat Loaf, Heaven & Hell, 04:53

Personal Jesus, Depeche Mode, The Best of Depeche Mode, Vol. 1 (Deluxe) [Explicit,] 03:45

Red Right Hand (2011 Remastered Version), Nick Cave And The Bad Seeds, Red Right Hand (Theme from 'Peaky Blinders'), 06:12

Vagabonds, New Model Army, Thunder And Consolation, 04:20

Bohemian Rhapsody (Remastered 2011)
, Queen, A Night At The Opera (2011 Remaster), 05:54

bimo: (Julian_Miles)

Quite hard to believe that another year has gone by without any proper entry from me, when I’m actually doing fine (considering there’s a global pandemic going on) and reading and waching stuff just as usual. Albeit with a slightly nostalgic, comforting twist to it.

First a complete Babylon 5 rewatch, now ST:DS9. Oh, and lots of Doctor Who, Eleventh and Twelfth Doctor, complete runs, before finally turning back to Ten and Donna. (No way on Earth I am going to watch any more Thirteenth Doctor episodes than I already have at this point, well except for the unlikely case Chris Chibnall should quit as a showrunner while Jodie Whittaker is still being around.)

As for books: Lots of them, yes. Mostly fiction from a variety of genres, the three most memorable novels probably  being Olga Tokarczuk’s  Drive Your Plow over the Bones of the Dead  , Brit Bennett’s The Vanishing Half and Micaiah Johnson’s The Space Between Worlds.

I guess that’s all for the moment.Greetings to everybody out there. :-)

Take care!

bimo: (Default)

Celebrating your 45th birthday at a time when the German federal state that you live in is also the federal state with the highest number of confirmed Covid-19 cases (1041 so far, and rising) is a pretty strange experience, I can tell you. Filled with a kind of decisions I wouldn’t have dreamed of a month ago.

Cavendish and I are, luckily, still young enough not to fall into any of the high risk groups; however it’s a different matter with our 75+ parents, especially with my father-in-law, who is terminally ill with colon cancer.

So we are thinking a lot about risk minimising measures these days, for example stuff like cancelling our reservation for the super-nice but also somewhat crowded Indian restaurant where we had originally wanted to take my own Dad on Saturday for a slightly belated birthday dinner. The restaurant owner, who is of the loveliest, helpful and most welcoming type you can imagine, is having a three course takeaway meal prepared for us now, so that we can enjoy at least part of what their sumptuous weekend buffet has to offer without having to consume our food in a room full of people.

Not that I believe contracting SARS-CoV-2 right at this point is all that likely, the case numbers even here in North-Rhine Westphalia are still too low for that. But what I believe in are the accumulated effects of people’s behaviour. Science, mathematics and expert projections. Everything coming down to the inconvenient, unpleasant fact that every decision with potential to slow down the virus’s spread is a good decision and a responsible one.

Thus I’m still rather torn about the Lichtburg Essen’s decision to have their great Star Trek: Wrath of Khan screening on March 11th take place exactly as scheduled. (The theatre usually holds 1250 people but apparently managed to keep the audience under 1000 by cancelling evening ticket sales and not putting any returned tickets back into sale.) William Shatner, in his late eighties now and still very much William Shatner as you know, love, or hate him, is touring Europe with Wrath of Khan at the moment. Movie screening followed by extensive Q&A stage program.

The film, with its opening scenes taking place on Kirk’s birthday, is a wonderful film to see on your own birthday. Especially if you are someone like me for whom Star Trek has been there all their lives. (One of my earliest conscious memories of watching TV is a Star Trek one, my Dad was watching, I was about three years old and sitting next to him on the sofa.)

Cavendish and I had bought our tickets sometime last September, practically as soon as we had seen the event first announced. Very much looking foward to it and learning that, against all odds, Wrath of Khan would definitely take place, we decided to go (The ratio behind this being that it was just the two of us, and it would be several days before we would meet with any of our parents again.)

Wonderful evening, full of fun, excitement and the priceless experience of feeling like the Star Trek loving kid I once was all over again. But a lot of anxiety and scruples before and after.

To quote Mr. Spock: The needs of the many outweigh the needs of the few.

Whatever you do, people,wherever you are, take care!

ETA: It has just been publicly announced that all North-Rhine Westphalian schools are going to be closed down until the end of the Easter holidays, which means no school until April 17th. We are living in interesting times…
bimo: (Mug_collectors)

Our annual Burns Night supper, six guests, so altogether a group of eight. This year, Cavendish and I came up with the following menu:

My Heart is in the Highlands

~Traditional: The Skye Boat Song~

1st course: Traditional Cullen Skink

~Toast to the Lassies: Afton Water by Robert Burns~

2nd course: Black and white pudding and pan-fried scallops with pea and mint puree at the side.

~Traditional: Come by the Hills~

3rd course: Haggis with pumpkin, mixed vegetables and mash at the side

~Traditional: Loch Lomond~

4th course: Apple Crumble with blueberries (absolutely delicious and kindly provided by one of our guests)

~Auld Lang Syne: Sing Along ~

All in all an awful lot of cooking, since I did most of the food from scratch. (Well practically everything except the Haggis and puddings, which were store-bought.) Never having done the pea and mint puree, black pudding, scallop dish before, I was rather worried about it and also rather surprised how well it turned out.
bimo: (Fivey_sigh)

Which is really a shame, because just like I recently mentioned in a conversation with [personal profile] kathyh , there is this weird feeling that the older I get, the more I would actually love to have some sort of account of both my fannish and real life, just to look back and marvel. ;)

So it’s probably high time for me to get back into journalling again! Hello to anyone still out there! :)

Current book: Amy Waldman, The Submission

Current or recently enjoyed shows: The Expanse S4, Lost in Space S2, The Crown, The Marvelous Mrs Maisel S3, Mindhunter, Doctor Who Series 12 (Though after seeing “Orphan 55″  I’ve decided to give up on the current series/showrunner and quit, because for my personal taste that was just one cringeworthy script too many, and I’m definitely not in the business of hate-watching.)

bimo: (Default)

It seldom snows in north-western Rhineland, but the weather forecast says that it might, with the first flakes likely to fall around five o’clock this afternoon.

Current book: Neal Stephenson, Quicksilver.

Current shows: Only Star Trek: Discovery and A Series of Unfortunate Events, I’m afraid, since the latest seasons of other shows that I follow haven’t been released yet. (Or still aren’t $&/&!*** legally available in Germany. I’m looking at you, The Expanse.)
bimo: (Terra_incognita)

Anyone else watching The Haunting of Hill House on Netflix?

The show is a very smart, atmospherically intense reimagination of both the Robert Wise’s 1963 black and white genre classic The Haunting as well as the original Shirley Jackson novel.

Somewhat sceptical at first whether any modern day TV adaption could pull off the same level of psychological horror and deeply intense fright, I was soon taken in by the effective story telling (seemingly non-chronologic and elliptical, but in fact revealing itself to be perfectly concentric in a dark, twisted dream logic kind of way).

Also, intriguing characters, well-nuanced and coming with fascinating dynamics. (If you are familiar with their Robert Wise versions, names and depictions will be a sheer delight!)

The show’s ensemble cast is as female-dominated as it is superb.

Oh, and then there is that! cameo! Chilling and brilliant! Hell, yes, on so many levels! ;)
bimo: (Terra_incognita)

Yeah, I know. But BimoDad and I have been watching the various Jurassic Park/ Jurassic World movies together ever since the first one came out back in 1993.Thus, no way we were going to miss this latest installment.

A few mostly spoiler-free observations:

  • Pure popcorn entertainment and actually great fun, however offering very few surprises since the film displays exactly the same strengths and weaknesses as the previous one.
  • Cookie cutter characters, but perfectly likeable, or, in case of the villains, properly despicable.
  • Simply gorgeous dino animation, done in a way that really makes you care for these beasts.
  • It totally escapes me why Fallen Kingdom’s rather obvious Frankenstein theme (all complete with Gothic mansion, thunder, and discussion of scientific ethics) doesn’t show up in reviews. (I’ve read various ones, none of them cared to mention it.) Fallen Kingdom is Frankenstein, as much as one of its predecessors, The Lost World, was King Kong.
  • Oh, and I couldn’t help smiling about the scenes showing Chris Pratt’s character raising young Velociraptor Blue. So reminiscent of training Little Jasper. ;)
bimo: (Default)
After our old cocker spaniel Wesley had died in late November last year, Cavendish and I felt it was high time for a new fluffy housemate.





Little Jasper (right) and one of his brothers on the day we decided that it just had to be this pup, sometime in February. I think what finally won us over were his eyes and that special air of sensitivity and sweetness. That and the way how, within the space of five minutes, he managed to both steal my woolen cap and then fall asleep on my feet.

More fluffiness behind the cut... )


bimo: (Default)

What happens when Cavendish invites a bunch of colleagues for a small belated Burns Night Dinner ;)

2nd and 3rd course provided by us, extremely delicious lentil soup, amazing cheese and wonderful dessert by above mentioned colleagues…

Btw., never having tried anything like this before I was at first super skeptical about the Whisky-Cured Salmon. (Essentially fresh Salmon generously covered with a mixture of casting sugar and salt and then drowned in a larger amount of Whisky.) Turned out  I need not have worried, because twenty-four hours in our fridge rendered the fish as tender and aromatic as could be. Perfect texture and taste!
 



1st course
Soup of the Day

Toast to the Lassies

2nd course
Whisky-Cured Salmon with Beetroot Dressing and Oatcakes

Address to a Haggis

3rd course
Haggis with Mashed Pumpkin, Mixed Vegetables and Colcannon at the Side

The Corries: Oh Flower of Scotland

4th course
A Selection of fine Scottish Cheese

Sing Along: Will You Go, Lassie Go?

5th course
Surprise Dessert

Sing Along





bimo: (Mug_collectors)

I figure it’s high time I started to kick off the new year journaling-wise, if only just to wave at folks and say “Well, hi! I’m still hanging out here, having a good time :)”

TV Shows I’m currently watching or have watched just recently:

  • The Crown
  • Mindhunter
  • Star Trek: Discovery
  • Bates Motel (only season 1 so far, but definitely planning to catch up on the rest)

Movies

Nothing worth writing about at the moment. Well, during our New Year’s holiday, Cavendish and I ended up seeing Victoria & Abdul (2017, directed by Stephen Frears) at the Spiekeroog island cinema. However, we found ourselves so frustrated by that movie’s amount of kitsch and gross diminishing of British colonial crimes that we almost would have got up and left. (We probably would have left if it hadn’t been raining so strongly outside. Both of us were without umbrellas.)

Hard to believe Victoria & Abdul came from the same director who did such a smart and brilliant film as The Queen back in 2006. But then again, The Queen’s screenplay was written by Peter Morgan.

Books

[personal profile] selenak , knowing how highly you think of Ridley Scott's Blade Runner, have you ever read this one?
 

 

Paul M. Sammon, Future Noir: The Making of Blade Runner. Revised and updated 2017 edition.

Described as “The ultimate guide to Ridley Scott’s transformative Sci-Fi classic", Sammon’s decade-long labour love so far 100% lives up to its promise. Well written, intriguing background infos and interviews on just about every aspect of Blade Runner’s making.
bimo: (DRD_beware)
Dream of Peace by Zurik 23 M
Focusing more on the The Expanse’s action elements than on the political angle. But still capturing the general atmosphere and character dynamics rather beautifully, especially that sense of terror and wonder that’s inherent to the show.

Oh, and I just realised the vidder responsible is the same who did one of my all time favourite Black Sails vids.



bimo: (Default)

Over the last couple of weeks, I got quite a good dose of Sci Fi. New Star Trek, new Blade Runner, plus the first one and a half seasons of The Expanse, a show that I had never heard of until Netflix rather successfully marketed it to Cavendish, who decided to give it a try, watched the pilot, and then, on the very next day, decided to watch said pilot again, this time together with me.

And wow, am I glad that he asked me to join him, because already said pilot left me speechless due to spoilery plot stuff that best remains untold so you can view for yourselves .Not only does the show offer a complex, well-developed and richly detailed universe (you can tell The Expanse is based on a series of novels), it also features nuanced characters and probably the most diverse cast I’ve seen in ages, characters and actors of various ethnic backgrounds and various age groups.

Oh, and on top of that absolutely stunning visuals. Seeing what The Expanse does with its space stations and ships, the newer ones as well as those rundown and falling apart, I immediately thought of Babylon 5, and that B5, a true pioneer back in the 1990s, would look just like this if it had been filmed today and not some twenty years ago. Shiny and gritty and lived in and quite amazing.
bimo: (DRD_beware)

Cavendish and I now have progressed up to episode 1.20 “The Stranger”, which shines a light on Pinocchio/August’s backstory, all the dark, winding path, right to the point when adult August is leading an increasingly distressed Emma to the very tree portal through which both of them had originally arrived in the Land without Magic.  

What sprang to my mind while rewatching,  well, apart from “Wow, this really features Shady Blue at her shadiest! Attempting to change the deal she has made with Geppetto, and when that fails, outright lying to pregnant Snow and Charming… Boo!”:

The portrayals of the child Pinocchio and the man he has turned into seem far more ambivalent in “The Stranger” than in some of the later episodes, where the character is more often than not pushed into the role of a pathetic coward. Of course, adult August’s method of trying to force Emma into believing is questionable. Of course his motivation appears selfish in nature, at least to a certain degree.Thanks to nuanced writing and acting it is impossible to tell how much August’s actions are based on heartfelt guilt and remorse, and how much on hoping to escape his impending fate of turning back into wood.

However it is easy to sympathise with him and to understand how little chance he actually had to turn out any different. After all, he’s a frightened to death kid, who was pushed into a guardian role for which he was far too young, and thus, could not possibly fulfil. Geppetto, what on Earth were you thinking, placing the incredible responsibility of watching out for the newly born Emma on your seven-year-old’s shoulders? No wonder your son ends up running away and staying continuously on the run for the next twenty-eight years.

In addition to liking these nuances of not black and white but shady-bluey grey, I’m also impressed by how effortlessly the writers (in this case Ian Goldberg and Andrew Chambliss) touch upon both the original Collodi novel as well as the Disney version in the most ironical yet also most sense-making way possible:

August: I am not screwing around here. Whatever you believe, or don’t, this is real, Emma. I am sick.

Emma: That’s an understatement.

August: You ever been to Phuket? It’s beautiful. Amazing island, full of pleasures. The perfect place to lose oneself. That’s where I was when you decided to stay in Storybrooke.

Emma: How do you know when I decided to stay in Storybrooke?

August: Because at eight fifteen in the morning, I woke up with a shooting pain in my leg. That’s eight fifteen at night in Storybrooke. Sound familiar? That’s when time there started to move forward again. I was supposed to be there for you. And I wasn’t. Because I was halfway around the world, I got a painful reminder of just how far I’d strayed. If that tree won’t make you believe, maybe this will.

So it’s Pleasure Island all over again.

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