Doctor Who: Patterns and Musings
Jun. 6th, 2007 09:16 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
bimoHaving finished "Human Nature/Family of Blood" I think it's safe to add another item to the list of recurring structural patterns, motifs and themes that ![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
selenak and I came up with a couple of weeks ago.
I can see why half my f-list is in love with HN/FoB. Intriguing premise, touching and complex characterisations. Haunting, strangely beautiful imagery. And last but not least that awe-inducing taste of eternity brought across by the voice over. But still I think I liked "Impossible Planet/Satan Pit" that tiny bit better. Blame it on the beauty of cello music and dying stars, or on all the pacifist indoctrination I received at school. Up to this very day I question the idea of trenches and battlefields as the ultimate test of a person's bravery and true nobleness of character.
The body counts of both this year's and last year's serious mid-season two parter make the 9th Doctor's intial "Everybody lives, Rose! Just this once, everybody lives!" appear in a completely new light to me.
Oh, and one random question before I press the send button in the vague hope LJ will let me post this: Did anyone else think the balloon girl looked an awful lot like Jemmy, Princess of Chaos from Neil Gaiman's Sandman: Season of Mists?
selenak and I came up with a couple of weeks ago.- Early mid-season two parter: The one you can show your imaginary eight-year old with a clear conscience. Alien invasion, for the most part rather action-oriented. Superficial and silly, at least in my opinion.
- Late mid-season two parter: Dark, nightmarish stuff. Two hours of breathtaking television, but heavily charged and drawing from a whole pool of subconscious fears that may be either individual or collective.
I can see why half my f-list is in love with HN/FoB. Intriguing premise, touching and complex characterisations. Haunting, strangely beautiful imagery. And last but not least that awe-inducing taste of eternity brought across by the voice over. But still I think I liked "Impossible Planet/Satan Pit" that tiny bit better. Blame it on the beauty of cello music and dying stars, or on all the pacifist indoctrination I received at school. Up to this very day I question the idea of trenches and battlefields as the ultimate test of a person's bravery and true nobleness of character.
The body counts of both this year's and last year's serious mid-season two parter make the 9th Doctor's intial "Everybody lives, Rose! Just this once, everybody lives!" appear in a completely new light to me.
Oh, and one random question before I press the send button in the vague hope LJ will let me post this: Did anyone else think the balloon girl looked an awful lot like Jemmy, Princess of Chaos from Neil Gaiman's Sandman: Season of Mists?
